We are producing 12, yes, twelve, different jerseys inspired by each of INSA’s photographs for his "Girls on Bikes" show at Protein in London this November.

Each colourway is limited to only 3 and will come with a signed postcard of the associated photo from the show.

When ordering, please choose your size, pay as normal and you will then be emailed to confirm which colourway you require. Remember, only 3 of each to be produced, so ACT FAST!

SOLD OUT!! See pics from show here...

About INSA

INSA’s world is one where art, product, graffiti, fetishism, and desire collide.

INSA is a fine artist and designer who has established himself from a graffiti background through extensive street level work and gallery shows around the world. Throughout his career, INSA has allowed himself to explore different approaches and outlets for his artistic agenda, including designing signature collections for brands such as Kangol, Kid Robot and NIKE, as well as starting his own heel company ‘INSA HEELS’. In 2010 INSA was commissioned by TATE Britain to produce some work inspired by Chris Ofili, he produced the highly coveted ‘elephant dung heels’.

INSA’s paintings and installations are often hyper real, finely crafted creations in which sexual desire and commodity-fetishism merge and contrast. Always with a heavy sense of irony, INSA visually exaggerates the notion of objectification meets commodification with graphically depicted oversized body parts that are suspended in the controlled architectural lines of a sneaker or bold black and white graphic patterns. INSA uses these powerful patterns to play with and distort the spaces where his work is installed to entice the viewer into the ‘fantasy’; a shallow fantasy of materialistic aspiration where sexual objectification is flaunted as a symbol of wealth and success.

“INSA’s work, contrary to some at first glace, speaks to an inquisitive and informed viewership. His beautiful women flaunting oiled skin and high heels or name brand sneakers serve as modern icons and symbols of our lavish and unsustainable, even unhealthy, lifestyle. Our obsession with sex, consumerism, the female body- he uses the inherent “want” of humanity in this most modern context to show that it isn’t really about any of that. The whole game is serving up exactly what is least anticipated.

Debord’s forefather Karl Marx argued, “Fetishism is ‘the religion of sensuous appetites’ [...] the fantasy of the appetites tricks the fetish worshipper into believing that an ‘inanimate object’ will give up its natural character to gratify his desires.

This critique of contemporary consumer culture and commodity fetishism is personified throughout INSA’s works of immediacy and presence.”

- Juxtapoz Magazine

www.insaland.com